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Anushka Shetty interview: The action sequences in ‘Ghaati’ come from the emotional space of a powerful woman on the ghats fighting for her people

Anushka Shetty, whose Telugu film Ghaati releases on September 5, marks 20 years in cinema this year. She recalls her first day on the sets of the 2005 film Super: “Nagarjuna sir, Sonu Sood and I were filming at Annapurna Studios, and during the break, Supriya Yarlagadda (the studio director and Nagarjuna’s niece) walked in…

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Dwayne Johnson gets emotional as ‘The Smashing Machine’ receives 15-minute standing ovation at Venice Film Festival

Dwayne Johnson poses for photographers on the red carpet for the film ‘The Smashing Machine’ during the 82nd edition of the Venice Film Festival in Venice, Italy, on Monday, Sept. 1, 2025. | Photo Credit: Scott A Garfitt Actor Dwayne Johnson broke down in tears after his film, The Smashing Machine, received a 15-minute standing…

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Judge rules in favour of Justin Baldoni as Blake Lively’s emotional distress case faces setback

Justin Baldoni and Blake Lively | Photo Credit: REUTERS/Caitlin Ochs and Scott A Garfitt/Invision/AP In a dramatic development in the legal battle between Blake Lively and Justin Baldoni, a federal judge has ruled in favour of Baldoni, dismissing Lively’s claims of emotional distress in their ongoing lawsuit. This decision, which could have significant implications for…

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Tom Cruise shares emotional moment with Michael B. Jordan at ‘Mission: Impossible – The Final Reckoning’ premiere

Tom Cruise, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film ‘Mission: Impossible – The Final Reckoning’ on Thursday, May 15, 2025, in London | Photo Credit: AP Tom Cruise received a hearty surprise at the London premiere of Mission: Impossible – The Final Reckoning on May 15,…

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‘Game Changer’ movie review: This Shankar, Ram Charan, SJ Suryah film chooses instant gratification over emotional heft

At a pre-release promotional event, director Shankar mentioned how his new film, Game Changer, considers the audience’s diminishing attention spans, shaped by Instagram Reels, and delivers engaging sequences in quick succession. This is perhaps why two-hour 45-minute film feels like a patchwork of segments opting for hurried transitions rather than seamless segways. Is Shankar’s first…

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