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Dancer-couple Nirupama and Rajendra revisit the Ramayana in ‘Rama Katha Vismaya’

From the thematic production ‘Rama Katha Vismaya’ presented by Nirupama and Rajendra in Bengaluru, recently. | Photo Credit: Special Arrangement The Ramayana, an ancient epic, has been retold through various art forms over the centuries, especially through classical dance styles such as Bharatanatyam, Kathak, and Odissi. In recent times, many dancers have continued this tradition…

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Satyanarayanaraju’s ‘Rama Katha’ puts together best scenes from the epic

Satyanarayanaraju’s solo act ‘Rama Katha’ | Photo Credit: Special Arrangement Satyanarayanaraju’s ‘Rama Katha’, ideated by Usha R K and conceptualised and visualised by the dancer, continues to sustain interest 12 years after it was premiered.  ‘Wake up Lord, fulfill your role as the protector of the universe’ pleads Tyagaraja in his kriti ‘Melukovaiyya’. The dancer…

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Rama, as described by Muthuswami Dikshitar 

It is usual in Carnatic Music to associate certain deities with certain composers. The term frequently used is Ishta Devata, and thus when we speak of Rama, it is usually Tyagaraja who comes to mind. His illustrious contemporary Muthuswami Dikshitar has a small but significant corpus of songs on Rama as well. Given his association…

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How Rama Vaidyanathan made an abhang the soul of her performance

Rama Vaidyanathan performing on the inaugural evening of The Music Academy’s 2025 dance festival | Photo Credit: S. R. Raghunathan The Music Academy’s dance festival began with a performance by Rama Vaidyanathan, who chose  compositions that gave a feel of the Bharatanatyam margam.   Verses from Tirumoolar’s Thirumandiram were used for Swaroopa, the first composition that…

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