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IFFI 2025 | ‘Father Mother Sister Brother’ movie review: Jim Jarmusch’s awkward family triptych is a tender triumph

Jim Jarmusch’s Father Mother Sister Brother came to IFFI carrying the heavy luggage of a Golden Lion from Venice, and the expectation that the patron saint of deadpan will have something new to say about families who barely talk to each other. He delivers a slim, haunted triptych in which adult children circle their parents…

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‘Sisu: Road to Revenge’ movie review: Jorma Tommila exacts bloody vengeance in a stoic, cathartic splatter-fest

A still from ‘Sisu: Road to Revenge’ | Photo Credit: Sony Pictures What a lean, mean fighting machine this sequel from Finnish director Jalmari Helander is! After bashing endless waves of wicked Nazis in 2022’s Sisu, the sequel, also written and directed by Helander, finds our silent commando/prospector, Aatami Korpi (Jorma Tommila), on a new…

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IFFI 2025 | ‘It Was Just an Accident’ movie review: Jafar Panahi rage-baits his way to the year’s most exhilarating act of defiance on screen

If someone at the Indian Film Festival of India (IFFI) this year told me that the new Jafar Panahi is the crème de la crème of the entire festival, I would have nodded, laughed, and spent the rest of the opening night chasing everyone who disagreed, just to watch more folks change their minds. Whether…

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IFFI 2025 | ‘Sentimental Value’ movie review: Joachim Trier, you menace

At some point, “Joachim Trier Summer” slipped into every cinephile’s collective cultural calendar this year, and I’ve stopped pretending it isn’t real. But here is a petition to scrap “Joachim Trier Summer” and adopt the far more accurate “Summer of Catastrophic, Character-Building Heartbreak” instead, please. The Norwegian filmmaker is back with his new awards contender,…

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